Table lamp

  • Unique accent lamp shown under spot light on black velvet.Shown with only LED illuminated. One-of-kind art accent lamp displays brilliant color patterns on backdrop.

    Almost 12

    $375.00

    Among the most daring challenge I’ve undertaken is creating a portrait of a sitting model on a glass lamp. I converted her photo first into a line drawing. From there, I used seven separate powder glazes to create  this bold portrait. The image is composed in the constructionist tradition.

    Now displayed in the WOMAN – 2026 6th Juried Annual Exhibition

    4 X 10 In.

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  • Transposed view of powder glazed accent lamp, flood lit.Face view of powder glazed accent lamp, flood lit.

    Ginkgo-sun

    A white mist blankets a lake. You are gazing at it through a drapery of ginkgo leaves in fall colors of golden brown and yellows . The name of these colors: “Spanish Fly” and “Orange peel”. Beyond, a crimson sun streaked with clouds sets over a distant mountain range. Seven separate glaze colors are used to depict this setting. The composition simply emerged from working on several of my prior lamps.

    SOLD

    4 X 10 In.

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  • Face view of powder glazed table lamp, flood lit.Table lamp shown in full sun in three stages of rotation arranged in a triptych.

    Splitting Particles

    $200.00

    There’s a technique developed in raku pottery where they create vibrant wriggles of black lines. They use horse tail hairs. Just what I need to depict nuclear fission where subatomic debris flies off in all directions. Sketched on a glossy, vivid blue and silver glazed surface, I’ve combined this technique with dry powder coating. On this table lamp, a composition of transparent circles is connected with random lines. Circles and patterns transpose on each other as the lamp is rotated.

    4 X 10 In.

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  • Scorched horse tail hair applied over red glaze.Displayed at sunrise where amber hues of dawn are reflected upon backdrop.

    String Theory

    $145.00

    There is a technique used in raku pottery. On a very hot clay surface, natural horse tail hairs are instantly transformed into vibrant wriggles. The results I wanted. In raku, they are working at around 1800 degrees F. I only reach about 400 degrees, yet. Maybe with a torch I can combine this with my glazed powder. This glass lamp opened the door. On a fire cracker colored background, I’ve created a vivid and tactile black spider’s web. It spans from one end in black while the other is in bright gold.

    2.5  X 10 In.

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